

{"id":7,"date":"2014-08-06T17:44:49","date_gmt":"2014-08-06T17:44:49","guid":{"rendered":"http:\/\/shantipanchal.com\/wordpress\/?page_id=7"},"modified":"2022-01-06T07:58:29","modified_gmt":"2022-01-06T07:58:29","slug":"artist-resume","status":"publish","type":"page","link":"https:\/\/shantipanchal.com\/wordpress\/artist-resume\/","title":{"rendered":"Curriculum Vitae"},"content":{"rendered":"<div class=\"cv-section\">\n<h2>SHANTI PANCHAL<\/h2>\n<div class=\"cv\">\n<div class=\"right\">\n<p>Born Mesar (Gujarat), India<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">\n<div class=\"right\">\n<p>Studied Sir JJ School of Art, Bombay<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1976\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Fellowship Sir JJ School of Art, Bombay<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1976-78\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Taught Sophia College Polytechnic, Bombay<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1978-80\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Studied Byam Shaw School of Art, London (British Council Scholarship)<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1994\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Artist-in-residence, British Museum, London and Harris Museum, Preston<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2000\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Artist in Residence, Winsor &amp; Newton Art Factory, London<br \/>Invited to meet HRH Prince Charles at St James\u2019s Palace as a shortlisted artist for the W &amp; N Millennium Art Award<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2001\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>TV Interview with Richard Cork, a touring show opened at the Pitshanger Manor Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2005\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Invited to contribute in BBC series of \u2018Masterpieces of the East\u2019 with British Museum<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2010\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Curated a show \u2018<i>Paintings by Five<\/i>\u2019 at The MP Birla Millennium Art Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2016\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Invited as an Honorary Member at the Royal Society of British Artist RBA, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2017\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Invited as an Honorary Member at the Royal Watercolour Society RWS, Bankside Gallery, London<br \/>Shortlisted for the \u2018Portrait Artist of the Year 2018\u2019 by Sky Television<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2019\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Shortlisted for the Jackson\u2019s Open Painting Prize<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2020\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>BBC-1News, reviewed our Co-Curated Online Exhibition, Midnight\u2019s Family:70 Years of Indian Artists in Britain at Ben Uri Gallery, London<\/p>\n<\/div>\n<\/div>\n<h3>One Person Exhibitions<\/h3>\n<div class=\"cv\">1978\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Jehangir Art Gallery, Mumbai<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1980\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Arts 38 Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1983\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>October Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1984\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>St Botolph&#8217;s, Aldgate curated by the Whitechapel Art Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1988-90\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Earthen Shades: Paintings by Shanti Panchal<\/i>, Arts Council funded touring exhibition, curated by Cartwright Hall, Bradford and Castlefield Gallery, Manchester , touring to:<\/p>\n<div class=\"sub-div\">\n<ul>\n<li>Kirklees, Huddersfield<\/li>\n<li>Oriel Gallery, Cardiff<\/li>\n<li>Aspex Gallery, Portsmouth<\/li>\n<li>Third Eye, Glasgow<\/li>\n<\/ul>\n<ul>\n<li>Cleveland Gallery, Middlesborough<\/li>\n<li>Towner Art Gallery, Eastbourne<\/li>\n<li>Newlyn Oriel Gallery, Penzance<\/li>\n<li>Castle Museum &amp; Art Gallery, Nottingham<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"cv\">1991\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Square Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1992\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Royal Festival Hall, The South Bank Centre, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1993\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Museum of Modern Art, Oxford<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1998\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i> Shanti Panchal: The Windows of the Soul,<\/i> Angel Row Gallery, Nottingham and<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1999\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Midlands Art Centre, Birmingham<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2000\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Chappel Galleries, Chappel, Essex <br \/><i>Shanti Panchal: Private Myths,<\/i> Pitshanger Manor Gallery, London touring to<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2001\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Cartwright Hall, Bradford, Blackburn Museum and Art Galleries, Blackburn and<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2002\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Herbert Art Gallery and Museum, Coventry.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2003\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Berni Gallery, Jersey Art Centre, Jersey, Channel Islands.<br \/><i>Shanti Panchal: A Personal Journey,<\/i> The British Council, touring to Jehangir Art Gallery and Cymroza Art Gallery, Mumbai, curated by Usha Mirchandani and Phiroza Godrej.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2006-07\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Shanti Panchal: In the Mind\u2019s eye,<\/i> Chelmsford Museum, Chelmsford, Essex.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2011\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Shanti Panchal:<\/i> curated by Oliver and Ann Mannion, The Bossanyi Studio, (part of Hillingdon open studios). Pinner<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2013\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Shanti Panchal: <i>Paintings of Exile and Home,<\/i> Piano Nobile Gallery, Holland Park, London<br \/><i>Recent paintings by Shanti Panchal,<\/i> Hayletts Gallery, Maldon, Essex<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2014\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Paintings by Shanti Panchal,<\/i> The Gallery at HAC, Harrow, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2016\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>A Way of Watercolour by Shanti Panchal,<\/i> Hayletts Gallery, Maldon, Essex<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2016-17\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Shanti Panchal: Ragas of the Dawn,<\/i> Kings Place\/ Piano Nobile, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2019\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Shanti Panchal: <i>In Colour and Shades,<\/i> Hayletts Gallery, Maldon, Essex<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2020\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Shanti Panchal: A Personal Language of Painting 2007-2018, Online Exhibition at Ben Uri Gallery, London<\/p>\n<\/div>\n<\/div>\n<h3>Selected Group Exhibitions<\/h3>\n<div class=\"cv\">1980\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Grand Prix International D\u2019Art Contemporain,<\/i> Monte Carlo, Monaco<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1982\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Between Two Worlds,<\/i> Barbican Gallery, London.<br \/>Gallerie Nina Dausset, Paris<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1982-87\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Whitechapel Open,<\/i> Whitechapel Art Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1983\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Contemporary British Watercolours,<\/i> Bankside Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1985-87\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>JP Portrait Award Exhibition,<\/i> National Portrait Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1987\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>On a Plate,<\/i> Serpentine Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1987-89\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>John Moores Painting Prize 15 and 16,<\/i> Walker Art Gallery, Liverpool<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1988\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Gujarati Indian Artists,<\/i> Leicester Museum and Art Gallery, Leicester<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1988-90\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>The Contemporary Art Society, Smith Galleries, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1989\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>On Commission: The Artistic Records Committee 1972-89<\/i>, Imperial War Museum, London<br \/><i>Figuratively Speaking,<\/i> The Bankside Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1989-90\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>The Tree of Life: New images of an ancient symbol<\/i>, Cornerhouse Manchester, curated by the South Bank Centre and tour<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1990-91\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>The South Bank Picture Show,<\/i> Royal Festival Hall, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1991\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>BP Portrait Award Exhibition, National Portrait Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1993\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Innocence and Experience: Images of children in British art from 1600 to the present,<\/i> curated by Manchester City Art Gallery, Manchester and tour<br \/><i>Discerning Eye, invited by the Judge Stephen Tumim,<\/i> The Mall Galleries, London<br \/><i>Cadences of the Heart: Works from South Asia in British Collections,<\/i> Mead Gallery, Coventry<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1995-96\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Splash:<\/i> Contemporary watercolour painting, curated by Walsall Museum and Art Gallery and tour<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1996\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Talking Pictures,<\/i> Castle Museum and Art Gallery, Nottingham <br \/><i>Under Anden Himmel: International Triennale,<\/i> Copenhagen,<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1997\n<p>\u00a0<\/p>\n<p>Selected Group Exhibitions<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>The Judge Hangs: a personal selection by Sir Stephen Tumim,<\/i> Michael Parkin Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1999\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Watercolour C21, Bankside Gallery, London <br \/>Chichester Open Art Exhibition, Edes House, Chichester<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2000\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>W &amp; N World-wide millennium painting competition, London, Brussels, Stockholm and New York <i>An Exemplary Life,<\/i> Bury St Edmunds Art Gallery, Suffolk<br \/><i>Cultural Ties,<\/i> Jariwala\/Westzone Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2001\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Royal Academy Summer Exhibition, London<br \/>The Singer &amp; Friedlander \/ Sunday Times Watercolour Competition, London, Leeds, Manchester and Birmingham<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2002\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Intimacy<\/i>, The Lowry, Manchester.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2003\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Shantipath<\/i>, Tao Art Gallery, Worli, Mumbai, India.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2004\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Anticipations<\/i>, Fine Art Resource, Jehangir Art Gallery and The Museum Gallery, Mumbai, India.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2005\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Faith<\/i>, Castle Museum, Nottingham<br \/>Lynn Painter-Stainers Prize first open exhibition, London.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2006-8\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Royal Society of Portrait Painters, Mall Galleries, London and Manchester<br \/>Royal Academy Summer Exhibition, London<br \/>Indian Images, Art Pilgrim, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2007-8\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Rigard and Ritual <\/i>(two persons show) Ben Uri Gallery, The London Jewish Museum of Art, curated by Rachel Dickson &amp; Julia Weiner, touring to<br \/>CCi Space (university Gallery launch) Portsmouth.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2008-9\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Royal Academy Summer Exhibition, London <br \/><i>Ananya<\/i>, an overview of contemporary art, Visual Arts Gallery and Habitat Centre, New Delhi, India<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2008-9\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>RWS\/ Sunday Times watercolour competition, Bankside Gallery, London and touring<br \/><i>Anglo-Indian Express<\/i>, a group show, Grosvenor Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2009-10\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Portrait Prize Winners<\/i>, A Gallery, Wimbledon, London, curated by Beatriz Hernandes<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2009-10\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>At the Edge<\/i>, British Art 1950-2000, organised by and touring to Touchstone Rochdale, Harris Museum &amp; Art Gallery, Preston, Gallery Oldham and Bolton Museum &amp; Art Gallery<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2010\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Watercolour in Britain<\/i>, curated by the Tate Britain, touring to Castle Museum Norwich, Millenium Gallery Sheffield, Laing Art Gallery Newcastle<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2010\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Group Exhibition<\/i>, KIAF, Korea International Art Fair, SumeriaLunn\/Hanmi Gallery, Seoul<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2010\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>The New English Art Club, Open Exhibition, Mall Galleries, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2010-11\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Light, Passion &amp; Darkness<\/i>, presented by Touchstones Rochdale and touring to Gallery Oldham and Blackburn Museum and Art Gallery<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2010-12\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>The Sunday Times watercolour Competition, Mall Galleries, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2011\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>National Open Art Competition, Minerva Theatre, Chichester, West Sussex<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2011-12\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Royal Society of Portrait Painters, Mall Galleries, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2011-13\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Ruth Borchard Self-Portrait Competition &amp; Exhibition, Kings Place Gallery, London and touring to<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2012\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>University Gallery, Newcastle<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2012-17\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>RWS Open Exhibition, Bankside Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2012\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>The Sunday Times watercolour competition, London and the Lightbox Gallery, Woking, Surrey.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2012-16\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>The Threadneedle Prize exhibition, Mall Galleries, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2013\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Royal Academy Summer Exhibition, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2013-17\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Self and Royal Society of Portrait Painters, Mall Galleries, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2013-14\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p><i>Catalyst: Contemporary Art and War<\/i>, Imperial War Museum North, Manchester<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2015\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Ruth Borchard Self-Portrait Competition &amp; Exhibition, Kings Place Gallery, London and touring to Pallant House Gallery, Chichester.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2015-19\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Royal Academy Summer Exhibition, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2016\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Ruth Borchard Collection:<i> The Next Generation<\/i>, Self-Portraiture in the 21st Century, Piano Nobile\/Kings Place, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2016\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>100 for 100: Ben Uri Past Present Future, Christies, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2016-17\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Lynn Painter-Stainers Prize Exhibition, Mall Galleries, London<br \/>RBA member exhibition at The Russell Gallery, London<br \/><i>Autumn Collections<\/i>, Chappel Galleries, Colchester, Essex<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2017-18\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>The Past is Now: Birmingham and the British Empire, Birmingham Museum and Art Gallery<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2018\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>John Moores Painting Prize 60, Walker Art Gallery, Liverpool<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2019\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>In the Studio and The Art of Travel Exhibition, Bankside Gallery, London<br \/>Selected RBA Members at Thomson\u2019s Gallery, Aldeburgh, Suffolk<br \/>The John Ruskin Prize Exhibition, Holden Gallery, Mahchester<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2020\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>The Figurative Art Fair, Online Exhibition (during Lockdown) by Member artists from FBA,Mall Galleries, Midnight\u2019s Family: 70 Years of Indian Artists in Britain, Co-Curated , Online Exhibition at Ben Uri Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2020-21\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Royal Society of British Artists annual Exhibition, Mall Galleries, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2021\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>New English Art Club, Mall Galleries, London<\/p>\n<p>Out of the Blue, Gallery East, Woodbridge, Suffolk<\/p>\n<p>Now and Then, RWS Bankside Gallery, London<\/p>\n<p>Winter- Portrait and Figure in Art and Group Exhibition, Chapel Galleries, Colchester<\/p>\n<\/div>\n<\/div>\n<h3>Selected Awards<\/h3>\n<div class=\"cv\">1974\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Bombay Art Society, Bombay<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1976\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Maharashtra State Art Exhibition, Bombay<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1983\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Chris Beetles Award, RSW Bankside Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1984\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>First Prize, Royal Overseas League, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1987\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>John Moores Painting Prize 15, Walker Art Gallery, Liverpool<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1989\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>First Prize, London Paperworks, Square Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1990\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>South Bank Picture Show, Royal Festival Hall, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1991\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>BP Portrait Award, National Portrait Gallery, London<br \/>South Bank Picture Show, Royal Festival Hall, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1999\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>First Prize, Chichester Open Art Exhibition, Edes House, Chichester<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2000\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>The Year of the Artists Award, London Arts, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2001\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>First Prize, The Singer &amp; Friedlander\/ Sunday Times watercolour competition, London<br \/>Shortlisted artist for the Financial Times\/ Arts &amp; Business Awards, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2002\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Nominated and shortlisted Artist for the Guild of British Asian Awards, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2003\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Nominated artist for the Asian Achievers Awards, UK<br \/>The British Council Award (to exhibit work in India)<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2010\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>The Artist Prize, RWS Open Exhibition, Bankside Gallery, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2012\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Second Prize, The Sunday Times watercolour competition, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2015\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Ruth Borchard Self-Portrait Prize, Kings Place\/Piano Nobile, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2016\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Eastern Eye Award for Arts, RFH, Southbank Centre, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2018\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>John Moores Painting Prize 60, Walker Art Gallery, Liverpool<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2019\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>The John Ruskin Prize (Second), Holden Gallery, Manchester<\/p>\n<\/div>\n<\/div>\n<h3>Selected Commissions<\/h3>\n<div class=\"cv\">1985\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Public Art (40 x 30 Ft. Mural) in Shadwell, Greater London Council, London.<br \/>National Garden Festival, City Museum and Art Gallery, Stoke-on-Trent.<br \/>Homerton Hospital, Whitechapel Art Gallery and Public Art Trust<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1989\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Imperial War Museum, London.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1993\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Public Art (3 Tiled Murals 2.5 x 30 meters each) in City Centre, London Borough of Harrow<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1996\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>H. Goldie and Co Ltd for De Beers, London.<br \/>Co-op Society CWS, Manchester<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1997\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Commissioned artist for two stained glass windows, London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2006\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>B. Arunkumar \/ Rosyblue, Mumbai<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2022\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Public Art (30 x 16 ft appx mural) at the Brixton Tube Station, commissioned by the Transport for London (TFL)<\/p>\n<\/div>\n<\/div>\n<h3>Public &amp; Corporate Collections<\/h3>\n<div class=\"cv\">\n<div class=\"right\">\n<div class=\"sub-div\">\n<ul>\n<li>Arthur Anderson Collection, London<\/li>\n<li>Arts Council Collection<\/li>\n<li>B Arunkumar \/ Rosyblue, Mumbai<\/li>\n<li>Birmingham Museum and Art Gallery, Birmingham<\/li>\n<li>Blackburn Museum &amp; Art Galleries, Blackburn<\/li>\n<li>British Museum, London<\/li>\n<li>Cartwright Hall, Bradford<\/li>\n<li>Castle Museum and Art Gallery, Nottingham<\/li>\n<li>Coopers and Lybrand Collection, London<\/li>\n<li>Co-op Society CWS, Manchester<\/li>\n<li>Cymroza Art Gallery, Bombay<\/li>\n<li>plc, London<\/li>\n<li>De Beers, London<\/li>\n<li>Harris Museum and Art Gallery, Preston<\/li>\n<li>Harrow Education Authority, Harrow<\/li>\n<\/ul>\n<ul>\n<li>H. Goldie and Co Ltd, London<\/li>\n<li>Homerton Hospital, Hackney, London<\/li>\n<li>Imperial War Museum, London<\/li>\n<li>Inder Pasricha Fine Art<\/li>\n<li>Lalit Kala Academy, Ahmedabad<\/li>\n<li>Leicestershire Museums, Arts and Records service, Leicester<\/li>\n<li>Meghraj Bank, London<\/li>\n<li>Meghraj Group, Jersey<\/li>\n<li>Potteries Museum &amp; Art Gallery, Stoke- On- Trent<\/li>\n<li>Ruth Borchard Self-Portrait Collection, London<\/li>\n<li>Singer &amp; Friedlander Group plc, London<\/li>\n<li>Victoria &amp; Albert Museum, London<\/li>\n<li>Walker Art Gallery, Liverpool<\/li>\n<li>Walsall Museum and Art Gallery, Walsall<\/li>\n<li>Winsor &amp; Newton Art Factory, Harrow<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<h3>Selected Bibliography<\/h3>\n<div class=\"cv\">1980\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Max Wykes-Joyce,<i> Shanti Panchal: Arts 38 Gallery<\/i>, Arts Review, July 4<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1981\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Richard Cork,<i> Art on View: Indian diversity<\/i>, Evening Standard, April 15<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1983\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Mary Rose Beaumont,<i> The Whitechapel Open Exhibition<\/i>, Arts Review, April 1<br \/>Peterborough,<i> London Day by Day: Mystery Prize<\/i>, The Daily Telegraph, London July 15<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1986\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>William Packer,<i> East End&#8217;s local brew<\/i>, Financial Times, January 28<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1987\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Stephen Games,<i> Not just a pretty face: Bringing water to a dry ground: Shanti Panchal<\/i>, The Independent, May 27<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1988\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Jenni Lomax and Nima Smith,<i> Earthen Shades: Paintings by Shanti Panchal<\/i>, catalogue essays, Cartwright Hall, Bradford and Castlefield Gallery, Manchester<br \/>Susan Morris, Shanti Panchal, Arts Review, London, July 1<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1989\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>John Russell Taylor,<i> The Show&#8217;s the thing<\/i>, The Times, London, July 11<br \/>Marina Warner,<i> The Tree of Life: New Images of an ancient Symbole<\/i>, catalogue, South Bank Centre ISBN 1 85332 044 7<br \/>Frank Ruhrmund,<i> Earthen Shades: Shanti Panchal<\/i>, Arts Review, November<br \/>Sarah Kent, Back for Moores, Time Out 20\/20 magazine Issue No. 8, November<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1990\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Philip Vann,<i> Portrait of the Artist: Shanti Panchal<\/i>, The Artist&#8217;s and Illustrator&#8217;s Magazine (cover page) Issue 43, April,<br \/>Kaveri Ponnapa,<i> Indian Images: the Paintings of Shanti Panchal<\/i>, Swagat-IA Magazine, September<br \/>Angela Summerfield,<i> Shared experience: Shanti Panchal<\/i>, interview, overseas ROSL Quarterly Journal, Sept \u2013 Nov.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1991\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Kaveri Ponnapa,<i> Bestriding two cultures: Shanti Panchal<\/i>, The Times of India Saturday Review, Bombay, April 6<br \/>Tim Hilton,<i> Choice: Shanti Panchal<\/i>, The Guardian, London, November 23<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1992\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Marina Warner,<i> catalogue essay, Shanti Panchal<\/i>, Royal Festival Hall, South Bank Centre, London.<br \/>Sarah Kent,<i> Art Preview: Shanti Panchal<\/i>, Time Out, July 29<br \/>Sara Holdsworth, catalogue,<i> Innocence and Experience: images of children in British Art from 1600 to present<\/i>, Manchester City Art Galleries ISBN 0 901673 00 5 <br \/>Philip Vann,<i> Seeing beyond the frame<\/i>, RA Magazine, Preview No. 35, Summer, and <i>Timeless Art: Shanti Panchal<\/i>, Interview, Resurgence Magazine No. 153, July-August<br \/>John Russell Taylor,<i> On an Indian painter who works in Britain<\/i>, The Times, London, August 5<br \/>David Lee, Viewpoints: Shanti Panchal, Art Review, Vol XLIV August<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1993\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Sister Wendy Beckett,<i> The Gaze of Love: Mediations on Art<\/i>, Marshall Pickering book ( page 72-73 ) Harper Collins Publication, London ISBN 0 551 02810 6<br \/>Nima Smith, catalogue,<i> Candences of the Heart : works from South Asia in British Collections<\/i>, Mead Gallery, Coventry<br \/>Mark W L Scott,<i> Editor\u2019s Choice: Discerning Eye, Shanti Panchal<\/i>, Watercolours, Drawings and Prints Magazine Vol 8 No1<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1995\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Sian Morgan,<i> Shanti Panchal<\/i>, Art &amp; Craft Magazine, November<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1996\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Sir Stephen Tumim,<i> My Cultural Life<\/i>, The Guardian, London, September 13<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1997\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>The Times Diary,<i> People &#8211; Party on: The week ahead<\/i>, Saturday Directory, The Times, London, March 29<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1998\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Philip Vann,<i> Previews: Shanti Panchal<\/i>, Galleries, Vol XV No. 12, May 1998, ISBN 0265 7511 <br \/>Balraj Khanna and Aziz Kurtha,<i> art of Modern India<\/i>, Thames and Hudson (page 101) London, ISBN 0-500-23755-7<br \/>Robin Dutt,<i> Focus On: Shanti Panchal<\/i>, Artists and Illustrators Magazine, Issue 141, June <br \/>Richard Cork, catalogue essay,<i> Shanti Panchal: The Windows of the Soul<\/i>, Angel Row Gallery, Nottingham<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">1999\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Terry Grimley,<i> Drawing on two Culture Scenes<\/i>, Birmingham Post, January<br \/>John Russell Taylor,<i> The Big Show: Windows of the Soul<\/i>, The Times, Metro (page 42), London, Feb 13<br \/>Samira Seth,<i> Interview: A Double Life, Art India<\/i>, The Contemporary Art Magazine Vol. 4, Issue 2, Apr-Jun<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2000\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Andrew Lambirth, catalogue essay,<i> An Exemplary Life<\/i>, Bury St Edmunds Art Gallery, Suffolk<br \/>Norbert Lynton, catalogue essay,<i> Shanti Panchal: Private Myths<\/i>, Pitshanger Manor Gallery, London.<br \/>Kapil Jariwala,<i> Introduction, Cultural Ties<\/i>, Westzone Publishing Ltd (page 128-9) London ISBN 1 903391 08 3<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2001\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Rich Jevons,<i> Preview: Private Myths<\/i>, The Leeds Guide, Leeds, January (page31) <br \/>Mick Rooney RA, Gallery VII, Royal Academy Illustrated, Summer Exhibition (page 104-114) London<br \/>Frank Whitford,<i> Different strokes<\/i>, The Sunday Times, Culture (page 6) London<br \/>Martin Gayford,<i> Introductory Essay, BP Portrait Award 1990-2001<\/i>, National Portrait Gallery (page19) London ISBN 1 85514 328 3<br \/>Tracey Murkett,<i> Inside Shanti Panchal\u2019s Studio<\/i>, an interview, Artist &amp; Illustrators magazine, issue 183, December<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2002\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Sharmila Sagara,<i> Profile: Shanti Panchal<\/i>, the Times of India Ahmedabad, March 17.<br \/><i>Two Distanced Figures<\/i> for Blackburn Museum and Art Gallery, National Art Collections Fund, 2002 Review<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2003\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Laura Gascoigne, Panchal\u2019s latest exhibition, The Spectator, London, June and Sight Specific, Shanti Panchal\/ M.P. Birla Art Gallery, What\u2019s On in London magazine, June 25 \u2013 July 2 <br \/>Priya Singh,<i> Beyond the Conventional, a conversation with Shanti Panchal<\/i>, The Asian Journey, Asian Voice, London<br \/>Heather Wells,<i> The stillness of being, Faith and the Artist<\/i>, Initiative, issue 9, Summer.<br \/>Deborah Swellow,<i> Shanti Panchal: An Introduction<\/i> and Kamala Kapoor,<i> On Shanti Panchal, catalogue asseys, Shanti Panchal: A Personal Journey<\/i>, The British Council, Jehangir Art Gallery and Cymroza Art Gallery, Mumbai. The Art of Shanti Panchal, Connecting magazine, British Council, Mumbai (cover page and page 11) October<br \/>Kanu Nayak,<i> On Art of Shanti Panchal<\/i>, Mumbai Samachar, Mumbai<br \/>Philip Vann, interview,<i> Shanti Panchal: Timeless Art<\/i>, Images of Earth &amp; Spirit, published by Green Books Ltd. UK.<br \/>A Resurgence art anthology, edited by John Lane and Satish Kumar. ISBN 1 903998 29 8 (page 34)<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2004\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Ranjit Hoskote,<i> Introduction, Anticipations, Fine Art Resource<\/i>, Jehangir Art Gallery and The Museum Gallery, Mumbai<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2004\/5\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Richard Davey,<i> Catalogue Interview, Shanti Panchal, Faith<\/i>, Castle Museum, Nottingham ISBN 0 905634 70 5<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2005\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Dhruti Shah,<i> Shanti Panchal at Christies Auction<\/i>, Harrow Observer, London October 13<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2006\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Sushma Bahl,<i> catalogue, Indian Images<\/i>, Art Pilgrim, London, November<br \/>Amit Roy,<i> Eye on England: Riots of Colours<\/i> The Telegraph, Calcutta and <i>Panchal\u2019s Paintings<\/i>, Mid-Day news, Mumbai, Sunday 24 December<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2007\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Philip Vann,<i> Shanti Panchal<\/i>, Galleries, volume XXIV No. 8, January 07 Issue 284 ISSN 0265-7511<br \/>Andrew Lambirth,<i> Luminous Serenity<\/i>, Shanti Panchal: In the Mind\u2019s eye, Chelmsford Museum, The Spectator, 13 Jan.<br \/>Richard Davey,<i> A Contemplative eye on everyday things<\/i>, Shanti Panchal: In the Mind\u2019s eye, Chelmsford Museum, CHURCHTIMES No 7507, London, 26 January<br \/>Nicholas Usherwood, catalogue essay,<i> Rigard and Ritual<\/i>, Ben Uri Gallery, The London Jewish Museum of Art, April. ISBN: 978-0-900157-05-9<br \/>Philip Vann,<i> Subtle Vibrancy<\/i>, Resurgence magazine, Sep\/Oct 2007 No 244, ISSN 0034-5970 (page 40)<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2008\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Sushma Bahl, catalogue,<i> Ananya<\/i>, an overview of contemporary art, Visual Arts Gallery and Habitat Centre, New Delhi,India.<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2011\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Oliver Lange, Shanti Panchal in conversation,<i> Watercolour with Impact<\/i>, The Artist magazine, London, February ISSN 0004-3877 Vol.126 No.2 Issue 959 (pages 18-21)<br \/>500 Portraits, BP Portrait Award, National Portrait Gallery, London, ISBN 978 -1 -85514 -448 -4 (page 70)<br \/>Philip Vann,<i> An Amazing Depth<\/i>, Profile\/London, Art Journal, Mumbai, India, Volume 3, Issue I &amp; II (page 73-74)<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2012\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Hugh Pearman,<i> Pleasures of a broad palette<\/i>, The Sunday Times, Culture (page 12) London<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2013\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Andrew Lambirth,, Shanti Panchal:<i> Paintings of Exile and Home<\/i>, The Spectator, 25 May, ISSN 0038-6952<br \/>Philip Vann, Shanti Panchal:<i> Paintings of Exile and Home<\/i>, Piano Nobile, Galleries, May, Issue 358 ISSN 0265-511<br \/>Rani Singh, Shanti Panchal:<i> A Renowned Painter Tackling Serious Issues<\/i>, Asian Voice 22 June, VOL 42, Issue 8<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2014\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Ian Proctor,<i> Award-winner\u2019s \u2018home\u2019 exhibition<\/i>, Harrow Observer, News, May 29 (page 24)<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2014-15\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Amie Mulderrig,<i> Dreaming in Watercolour<\/i>, Asian Inspired Magazine, London (Page 47)<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2015\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Amit Roy,<i> Portrait of an Award Winner<\/i>, Eastern Eye, 31 July<br \/>Jackie Wullschlager,<i> Critics\u2019 Choice<\/i>, Ruth Borchard Self-Portrait Prize 2015, FT Weekend, 1 August<br \/>Robin Blake,<i> Gems<\/i>, Financial Times, 27 August<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2016\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>John Evans, Panchal\u2019s dawn chorus of colour, Islington Tribune<br \/>Jackie Wullschlager, Critics\u2019 choise, Shanti Panchal: Ragas of the Dawn, FT Weekend, 22\/23 October<br \/>Sunil Khilnani, Incarnations : BBC Radio 4, Penguin Random House UK, ISBN:978-0-241-20822-9 (Page 12)<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2017\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Contemporary &amp; Post War British Art Sale, Catalogue, Gainsborough\u2019s House, Sudbury, 20 Oct<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2018\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Amit Roy,<i> Summer Joy of Art Made Now<\/i> Eastern Eye, Issue 1460\/15 June<br \/>John Moores Painting Prize Liverpool 60, Catalogue, July-November, ISBN:978-1-902700-60-1<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2019\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>Chris Sharrall, A-N News Story, John Ruskin Prize, July<br \/>Afterview, John Ruskin Prize <br \/>Panchal brings warm hues of India to Maldon, Essex Chronicle, 17 October (page 19)<br \/>Pape Gueye, Award-winning art coming to gallery, Maldon and Burnham Standard, 17 October (page 27)<\/p>\n<\/div>\n<\/div>\n<div class=\"cv\">2020\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div class=\"right\">\n<p>John Evans, Homing in on \u00e9migr\u00e9 artists, Camden New Journal, 30 July<br \/>Florence Hallett, Best top picks today, Shanti Panchal, the-I, The Independent, 4 August<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SHANTI PANCHAL Born Mesar (Gujarat), India Studied Sir JJ School of Art, Bombay 1976 \u00a0 \u00a0 Fellowship Sir JJ School of Art, Bombay 1976-78 \u00a0 \u00a0 Taught Sophia College Polytechnic, Bombay 1978-80 \u00a0 \u00a0 Studied Byam Shaw School of Art,&hellip; 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